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The 'men on a mission' journey narrative is really nothing special but that doesn't matter when the quality of the film-making is so good. In many respects, MEN IN WAR is even better than Mann's westerns, because it tells an excellent pared-down story that exemplifies quality acting from the entire cast and oodles of suspense.
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MEN IN WAR is a fine black-and-white Korean War movie from director Anthony Mann, who was best known for his series of quality westerns teaming him with star James Stewart throughout the 1950s. Men in War is a good film, photographed very realistically in the outdoors and has the look and feel of a newsreel with depth. Mann and Ryan would team again the following year in God's Little Acre, a subject far removed from the Korean War. He's just as convincing as the gritty, but decent lieutenant here. He had worked with Mann and Stewart previously in The Naked Spur where he was as bad as they come. Ryan was a multi-faceted actor who sometimes played leads, but mostly did good character parts as bad guys. Jimmy Stewart is taking supplies to settlers for their survival and his own and Ryan is essentially doing the same thing in this film. Men in War is probably best compared to Bend in the River. The film is directed by Anthony Mann, best known for his westerns in the Fifties that mostly starred James Stewart. The remainder of the film is how these two guys who grate on each other's nerves, but manage to work together. Ray is a good fighting man, but very insolent.
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Ryan commandeers both Ray and the jeep for his needs. Also retreating are Sergeant Aldo Ray in a jeep with a shell-shocked Colonel Robert Keith. These GIs are not battling for any glory, but simply for survival. Robert Ryan is a lieutenant leading a small group of survivors who are caught behind enemy lines to safety. We had few enough forces and they were driven to what became known as the Pusan perimeter in 1950 when General MacArthur pulled off the two pronged counterattack out of the perimeter and from the landings at Inchon. Through a combination of bad diplomacy and an understandable war weariness from World War II, the USA was caught completely off guard when the Communist North Korean government attacked the Southern forces that we were training. The bottom line is that this is an amazingly tense and well-constructed film-one you can't help but admire because of its efficient use of actors, props and sets. But, when Ryan forces Ray at gunpoint to relinquish the jeep, you know this is NOT your typical war film! There's a lot more to the film than this-as this all occurs in the first ten minutes or so, but I'll leave it to you to see where all this leads.
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This is a problem because Keith obviously has cracked up and is catatonic and Ray has no interest in doing anything but get his commanding officer back to a hospital-and he could care less about the other men.
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But the driver is a gung-ho sergeant (Aldo Ray) and his colonel (Robert Keith). Things seem to be looking up when a jeep arrives. But it is very slow-going-particularly when their truck is knocked out and they have to carry their supplies. Their goal is to go 17 miles to a hill PROBABLY still held by their forces. The film starts with Robert Ryan playing a lieutenant in charge of a dozen and a half men who have been cut off during an American retreat early in the Korean War. It just goes to show you that you don't need a ton of cash or the biggest name actors to make a very good war film. Because both have rather modest stories, the films manage to work because of taut direction, excellent writing and terrific acting. They both are exceptional films-stories of foot soldiers stranded behind enemy lines during this war. As I say in the summary, this film compares very well with Sam Fuller's "Steel Helmet", though this Fuller film was actually made during the Korean War and it was made with an even smaller budget.